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top section of Henry Moore sculpture Large Interior Form

Matt's chest and tattoos - get to know Matt

girlie legs with a party dress and flippers

Taken from the hand-crafted book, which was assembled in the style of the exquisite corpse, the images were analog captured and produced.

make corpse variations

Taken from the hand-crafted book, which was assembled in the style of the exquisite corpse, the images were analog captured and produced.

make corpse variations

Taken from the hand-crafted book, which was assembled in the style of the exquisite corpse, the images were analog captured and produced.

make corpse variations

Rondo II • after Bruce Beasley

liquid culture • variegated threads of digital culture,

captured furtively via iphone • 24" x 144" digital print

< click for lightbox

rotate to view

in landscape mode

conceptual document

bands warp and curve, perceived, documented, threaded in

rhythmic movement of the lunar cycle, basing variants on

the tidal tables at 47º54’44.33”N, 124º38’39.93”W on

Washington’s Pacific coast, during the three day period of

October 26th, 27th, 28th, 2010, with a high tide of 8.89

feet above sea level and a low tide of -0.41 feet below sea

level • intended for projection on fog screen in dark room

illuminated imagery - Orange Bowl Blue Beads

Orange Bowl Blue Beads • illuminated imagery

• swipe images

Orange Bowl Blue Beads • illuminated imagery

• swipe images

Orange Bowl Blue Beads • illuminated imagery

• swipe images

18"x24" digital print composite image of Union Station in Chicago, Illinois

Station • 18" x 24" digital print

filmed inside of solitary confinement, audio reverbation of architectural materials and extruded human voices play strongly on the psyche. Light, disorientation of time and space are exacerbated by optic, psycho-physio atrophy, affecting the individual as inmate within prison structure (a catch-22 regarding the safety of other inmates, guards), and as former inmate reentering society. Previously at the Hazel Wolf Gallery, Berkeley, CA

process

arrested liberty

Arthur

A collaborative audio installation as responsive to human -

tech interaction within our daily environments. The focus

of Arthur is architectural space.

As you enter, the building acknowledges your presence by

remarking on the lovely day, your new haircut, or even an

introduction. You would be entering what might be

considered his personal space, so a quick "Hi, I'm Arthur,

who are you?" hints at a proper protocol...yes?

In downtime, Arthur might be heard humming, napping, or

mumbling about whatever bits are running through his

mind...you know, talking to himself.

When you walk through the door, his attention is right

there to acknowledge you. He's very friendly, and he loves

baseball. Would you like to hear some snippets?

ear-buds will clarify if audio is garbled on mobile device

TriWing

proposal: a sculptural platform in visually muted section

of the city's vibrant landscape from which to locally and globally communicate layered interactive brand identity,

via data flow and response triggering, utilizing desktop

or hand-held devices • sustainable design to be LEED approved

digital reflection on light and time with remains collected in Sedona, Arizona

Light and Bone series • digital reflection on light and time with remains collected in Sedona, Arizona

• swipe images

Light and Bone series • digital reflection on light and time with remains collected in Sedona, Arizona

• swipe images

Light and Bone series • digital reflection on light and time with remains collected in Sedona, Arizona

• swipe images

gmo - 18"x24" digital print poster of strawberry fish in white

gmo - 18"x24" digital print poster of strawberry fish in black

gmo • 18" x 24" print posters

• swipe images

gmo • 18" x 24" print posters

• swipe images

The rediscovered "Bucket of Blood" title sequence

"Freedom to Fear" - a sculpture flying over Chicago's Eisenhower Expressway prior to inclusion in "The Four Freedoms" art show.

Freedom to Fear • The U.S. flag re-presented, utilizing the color-coded terrorism threat advisory scale in use from 2002–2011. The work, as a response to the malleable use of fear as language, was a response to Norman Rockwell's Freedom from Fear painting, as response to FDR's Four Freedoms speech. Freedom to Fear flew over the Eisenhower Expressway in Chicago for 2 weeks prior to being included in The Four Freedoms art show.

• swipe images